The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of an innovation. This book aims to show how film scholars have attempted to explain stylistic continuity and change across the history of cinema. The author explores the theories of style launched by Andre Bazin, Noel...(展开全部)

The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of an innovation. This book aims to show how film scholars have attempted to explain stylistic continuity and change across the history of cinema. The author explores the theories of style launched by Andre Bazin, Noel...(展开全部)

金兹堡，1892－1946年，苏俄建筑师、建筑理论家。曾在法国和意大利求学，后在俄国读土木工程，于1917年毕业。1923年在莫斯科第一次全俄农业展览会上设计克里米亚馆，同年，与维斯宁兄弟一起酝酿着构成主义（结构主义）的早期理论。金兹堡吸收现代建筑思想，其中包括法国勒・柯布西耶的《新精神》和荷兰的凡・杜埃斯堡的《风格》。1924年，他把在俄罗斯艺术科学院里所做的报告整理成了《风格与时代》一书。1925年，在莫斯科成立了 “现代建筑师协会”，金兹堡任副主席并任协会刊物《现代建筑》的主编。除了理论工作之外，金兹堡主要从事新型的住宅研究和设计。1930年5月后，其学术主张和理论受到批判。去世之前，默默地在工业建筑和居住建筑方面工作。 译者简介： 陈志华，1929年生于浙江，1947年入清华大学社会学系学习，1949年转入清华大学建筑系，1952年毕业，曾...(展开全部)

Communication in History's outstanding selection of readings from classic and contemporary sources gives an extensive overview of the most important ideas in the field. Encompassing topics as wide-ranging as the role of printing in the rise of the modern state and the role of the Internet in the Information Age, this anthology reveals how media have been influential bot...(展开全部)

These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andre Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is disc...(展开全部)

Tracing the evolution of fashion — from the early draped fabrics of ancient times to the catwalk couture of today — Fashion: The Definitive History of Costume and Style is a stunningly illustrated guide to more than three thousand years of shifting trends and innovative developments in the world of clothing. Containing everything you need to know about changing fashion and s...(展开全部)

詹姆斯·E·麦克莱伦第三(1946一)，1975年获普林斯顿大学博士学位，现为美国史蒂文斯理工学院科学与艺术学院副院长、科学史教授。著有《科学重组：18世纪的科学学会》、《殖民主义与科学：旧王朝时代的圣多曼格》等。论著《专家控制：巴黎皇家科学院的出版委员会(1700—1793)》获美国哲学会颁发的2003年度刘易斯奖。 哈罗德·多恩(1928一)，1970年获普林斯顿大学博士学位，现为美国史蒂文斯理工学院人文与社会科学系科学技术史名誉教授。著有《科学地理学》等。

Now in its second edition, this bestselling textbook may be the single most influential study of the historical relationship between science and technology ever published. Tracing this relationship from the dawn of civilization through the twentieth century, James E. McClellan III and Harold Dorn argue that technology as "applied science" emerged relatively recently, as industr...(展开全部)

The process of technological change takes a wide variety of forms. Propositions that may be accurate when referring to the pharmaceutical industry may be totally inappropriate when applied to the aircraft industry or to computers or forest products. The central theme of Nathan Rosenberg's new book is the idea that technological changes are often 'path dependent', in the sense t...(展开全部)